Good and not-so-good practices in creative tourism networks and platforms: an international review

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dc.contributor.authorRemoaldo, Paula
dc.contributor.authorOlga, Matos
dc.contributor.authorHélder da Silva, Lopes
dc.contributor.authorRibeiro, Vitor
dc.contributor.authorRicardo, Côja
dc.contributor.authorMiguel, Pereira
dc.contributor.authorFreitas, Isabel Vaz de
dc.date.accessioned2019-05-17T10:07:27Z
dc.date.available2019-05-17T10:07:27Z
dc.date.issued2019
dc.description.abstractA consensus has not yet been reached worldwide regarding the concept of creative tourism. Since 2000, it has generally been considered as a kind of tourism that can offer tourists the opportunity to co-create and develop their creative potential. To identify and analyze the nature of existing creative tourism practices today, we carried out an investigation to examine creative tourism networks and platforms internationally - providing a snapshop of the creative tourism field in 2017. In this chapter, we outline the difficulties in defining creative tourism and discuss the development of creative tourism spaces on an international scale through the creation of networks and platforms. The chapter provides an overview of the research findings and comments on the patterns, issues, and trajectories we perceived. At the end of the chapter, we provide a summary of future research directions. This research was conducted as part of the CREATOUR (Creative Tourism Destination Development in Small Cities and Rural Areas) project. CREATOUR is developing an integrated approach to creative tourism by combining interdisciplinary, methodological, technical, and theoretical approaches to link the tourism and cultural/creative sectors in non-metropolitan areas of mainland Portugal. The project aims to promote a more sustainable and holistic development of rural and small city/town destinations with a strong historical and cultural past through the active and creative involvement of visitors and residents with local habits, traditions, and customs. The initiatives that are integrated within this project link creative, culture-based activities with various aspects of the 'authentic heritage" of the varied landscape of the country for the benefit of both local residents and participating visitors.pt_PT
dc.identifier.citationRemoaldo, P., Matos, O., Freitas, I. V., Lopes, H. S., Ribeiro, V., Gôja, R. ...Pereira, M. (2019). Good and not-so-good practices in creative tourism networks and platforms: An international review. In N. Duxbury, & G. Richards (eds.), A research agenda for creative tourism (pp. 167-181). Disponível no Repositório UPT, http://hdl.handle.net/11328/2704pt_PT
dc.identifier.isbn978-1-78811-071-6
dc.identifier.urihttp://hdl.handle.net/11328/2704
dc.language.isoengpt_PT
dc.peerreviewednopt_PT
dc.publisherEdward Elgar Publishingpt_PT
dc.relationPOCI-0145-FEDER-016437pt_PT
dc.rightsrestricted accesspt_PT
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/pt_PT
dc.subjectCreative tourismpt_PT
dc.subjectCreative tourism networkpt_PT
dc.subjectCreative tourism platformspt_PT
dc.titleGood and not-so-good practices in creative tourism networks and platforms: an international reviewpt_PT
dc.typebook partpt_PT
degois.publication.firstPage167pt_PT
degois.publication.lastPage181pt_PT
degois.publication.titleA research agenda for creative tourismpt_PT
dspace.entity.typePublicationen
person.affiliation.nameCIAUD-UPT - Centro de Investigação em Arquitetura, Urbanismo e Design
person.familyNameFreitas
person.givenNameIsabel Vaz de
person.identifier.ciencia-id4C1C-C5D6-1369
person.identifier.orcid0000-0002-1277-3700
person.identifier.ridA-5618-2018
person.identifier.scopus-author-id57196085671
relation.isAuthorOfPublication3fc30f35-17bf-4d2a-8356-343b22f242b4
relation.isAuthorOfPublication.latestForDiscovery3fc30f35-17bf-4d2a-8356-343b22f242b4

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