Liminal Landscapes: Generative Art as a Technoshanic Instrument in the Representation of Altered States of Consciousness

Abstract

This article proposes a theoretical and practical reflection on the capacity of generative audiovisual installations to represent and evoke altered states of consciousness, based on the artistic project Liminal Landscapes. In a historical moment marked by crises of meaning, technological alienation, and symbolic disintegration, a new sensibility emerges that seeks to resume ecstatic and spiritual experiences, now mediated by digital devices. By cross-referencing from the visionary arts, the anthropology of ritual, technoshamanism and media arts, it is argued that certain contemporary artistic creations can assume functions comparable to those of ancestral shamanic rituals, enabling the public to have immersive, introspective, and liminal experiences. The installation Liminal Landscapes develops from organic and generative processes of image and sound, symbolically focusing on the element of water as a metaphor for the unconscious, crossing, and transformation. The circular structure of the work, combined with the enveloping sound and visual dissolution, invites the viewer to enter a meditative state, breaking with linear temporality and evoking ritual practices. Based on a practical research methodology, the project analyzes how the artistic gesture can function as a mediator between the visible and the invisible, the aesthetic and the spiritual. Art, in this context, is proposed as a technoshamanic instrument and a legitimate avenue for sensitive knowledge, capable of bridging the gap between the body, technology, landscape, and consciousness.